Tuesday, March 9, 2021

ASIAir Power Ports

 V1.5.3


With the introduction of the ASIAir Pro, four 12V power ports have been added and made possible by a custom power board that piggy backs onto the main cpu board.  Each port accepts a standard 2.1x5.5mm plug and the product includes 4 power cables to use with your various astrophotography equipment.  The ASIAir supports a total of 6A or 6 amps total across all four ports plus the ASIAir itself.  Each port can only support 3A of power as long as the total power consumed doesn't exceed the 6A.  Most devices will have an amp rating in their specifications that represents the maximum power the device will consume with all features in use cranked up to the max.  Amp ratings are additive so take all of your devices and add up the amp ratings to get the maximum power that can be consumed.

There are many uses for these power ports but ZWO does not recommend plugging your mount into a power port.  Most mounts consume too much power especially when slewing and can cause the ASIAir to go into fault mode and shut down or cause other operational issues.  Please purchase a splitter cable to use to split power from your source, one to the mount and one to ASIAir.  Suitable mounts to use with a power port would be those low power devices that only track in RA.  Check the power specs on the mount to make sure it does not exceed 3A maximum.

TIP: Choose a power source that is twice the capacity of what you need.  If all of your equipment totals up to a maximum draw of 5A to include the mount you just split off, then use a power pack that is rated at 10A.  The reason for this is that most of these power supplies are switching power supplies and when they start to reach their maximum rating they get really hot and they also can produce noise on the power wire.  This can often cause electronics to do strange things or crash or can cause noise in your images to appear. The best power sources are batteries, battery packs, or what are called linear power supplies.  Fortunately switching power supplies are now cheap even at twice the capacity needed so no need to skimp on the rating.

Now with the disclaimers out of the way, lets take a look at the options now available.  To access the power configuration, click on the wifi symbol at the top of the screen and select “Power Output”. Each power output can be given a name and some of these enable PWM or Pulse Width Modulation.  The available options at this time are:

Telescope - Full time 12v off/on

Camera - Full time 12v off/on

Dew Heater - 12v PWM 0% to 100%

Focuser - Full time 12v off/on

Flat Panel - 12v PWM 0% to 100%

Others - Full time 12v off/on

On some devices the list does not completely display and you will have to scroll to see the other options.  You would be surprised how many people miss this.

The PWM outputs are useful for controlling things like dew heaters to control the temperature at the scope, lens, or mirror or for a flat panel or other LED lighting used at the mount for setup or safety.  You should not use the PWM options for devices designed to require full time power.  Nor should you use PWM to reduce the output to power your DSLR.  Doing so will almost certainly damage your camera.  Use an appropriate 12V power adapter for this.  Remember 12V PWM is still 12v its just turned off and on at a very fast rate and made faster or slower by using the slider.  It does not vary the voltage.

The settings you choose are sticky and will reset to the on/off or PWM setting that were set previously upon boot up.  While its not a huge deal its important to know that when ASIAir boots up, all power ports get turned on briefly at full power until the configuration is loaded and settings applied.  This is usually only a few seconds but important because dew heaters will run at maximum and cause maximum start up current until PWM kicks in and cuts the power draw or some ports are turned off.  Its important to know the power requirements of your devices so you do not exceed the maximum that ASIAir can handle.

The case on the ASIAir is made of aluminum much to the dismay of wifi users.  The reason for this is because the case also acts as a heatsink or heat dissipator for the power board.  The more power that is needed, the hotter the case will get.  Be mindful if you decide to use sticky velcro to hold it to something that likely it will come unstuck when it gets hot.  Use the supplied finder foot or other screwed on attachment to fix it firmly to your scope or mount.

In summary, the total power draw of the ASIAir cannot exceed 6A or 3A on any one port!  Power requirements are additive so look up the specs and add up the maximum amp ratings.  The introduction of power ports opens up a lot of possibilities for controlling devices from the tablet or phone.  I use one power port for cooling fans to help cool down the primary mirror on my C11.  After 30 minutes I can turn off the fan power and start imaging.  Another port is used to control 12V LED lighting on the tripod legs.  With PWM I can safely control the brightness of the LEDs.  I use these for safety so I or others do not trip on the tripod legs or wires nearby in the dark.  I’m sure you will find other unique uses for these ports that will help in areas I haven't thought about yet.



Monday, March 8, 2021

Finding A Planet or the Moon with ASIAir

 


V1.5.3

I get a lot of reports from folks that ASIAir will not plate solve on planets or the moon.  The reality is that any object that moves against the stars cannot be plate solved.

Plate solving compares the field of view with recorded plates of known star positions to determine the exact position of the telescope.  An interloping planet or moon can mess up the ability to solve the location.  So what can we do?

The trick is to goto a nearby star or object that is in the asiair database.  This object should be within the same quadrant of the sky and as close as possible to your target.  For planets this is fairly easy.  Choose a star nearby and then do a platesolve and then sync the location.  If you have autocenter enabled then this will be done for you.  I recommend that for planets and the moon you disable goto autocenter and do the platesolve and sync manually.  Once the star goto has completed and has been solved and synced, goto the star again and make sure it it is in fact centered.  Then goto the planet thats nearby and the planet should be reasonably centered.

The process for the moon is the same but the brighter the moon is the more difficult it will be to get that nearby star platesolve completed.  As long as you can achieve a platesolve and sync on a star somewhere in the same quadrant as the moon or worst case same hemisphere as the moon you should get reasonably close.  Try different exposures or filters if the moon interferes with the platesolve.  

The idea here is that you really dont want to do your platesolve on the other side of the meridian from the target.


Friday, March 5, 2021

ASIAir Pro Live Stacking

 


V1.5.3

Live Stacking is a feature only available to the ASIAir Pro.  This is due to the faster processors and IO buss currently used in the device.  Live Stacking is an incredible feature that grows on you the more you use it.  In this age of instant gratification, it is incredibly rewarding to watch your image build one exposure at a time as it happens all in real time.

One can just start a live stack and get instant success.  However, with a little prep ahead of time one can prepare calibration frames and have them applied in real time as the image is stacked. 

To get started we need to prepare our calibration frames bias, dark, and flat frames.  ASIAir will automatically stack each once we get things rolling.  The resulting stack will be added to the light frame setup and then enabled. Make sure that your calibration frames are all made using the same gain, BIN, and temperature setting.


Bias frames are really important if you are using a dslr camera.  Dslrs are not really designed for astrophotography and so no attempt is made to improve the sensor read noise because usually pictures of Fido are so bright that it just swamps all of the read noise and its not a problem.  But for astro work this read noise can be devastating.  To get rid of the bias read noise and banding, we take a series of very short exposures, as short as the camera will allow, with the scope covered.  The resulting data is JUST the read noise.  For astro cameras like the ASI series, the noise is so very low already and with cooling its virtually non existent that bias frames are not necessary and in fact could add noise to the image. If you are using an ASI  astro cam then just skip the bias frames.  To set up for a bias stack, cover the scope or lens and then edit the live configuration.  The configuration window will appear with 4 tabs at the top.  Select Bias.

For the exposure this will be very short, the fastest exposure your camera will support.  For BIN you should use the BIN setting you plan to use to shoot your target.  If you are not sure then just use BIN1 for everything.  ZWO has a white paper on BIN settings if you want to learn more.  For the number of frames just use the maximum of 40.  When done, click OK and then star the live exposure.  The bias stack will build and when 40 have been stacked it will automatically save the master bias into the Live folder.


Next we will do the same with dark frames.  In the live configuration screen select the dark tab.  The set up is similar to bias but we now want to use the same exposure time that we will use for the light frame. In the example image this shows as 300s but it should be 120s to match the light exposure we will be using.  You can figure out the best exposure to use by trying some preview frames of your target to get your desired exposure.  If time permits you may want to make several dark stacks at different exposures to have for future use.  Select the maximum number of frames and begin the live stack.  When its complete it will save the master dark to the live folder.

The last calibration frame needed is a flat frame.  I strongly suggest you read my other blog on using the new AutoFlat option.  There is a lot of information there that is helpful for successful flat creation.  Once you have mastered the creation of flats, you will set up the flat options in the live configuration panel under the flat tab. As with the others, select the exposure or Auto if using AutoFlat, the BIN setting used and the maximum number of frames.  Once complete, start the live stack and the master flat will be stored in the live folder when done.


Now we are ready to set up our light frame.  Once in the live configuration panel, select the light tab.  Here you will select the exposure time, BIN setting, and stack duration.  Here you can select the number of frames to stack, or no limit.  With no limit, live will keep stacking until you pause it.  The image will only be saved once you select the image save option on the lower right of the screen.

Below these settings are the options for selecting and enabling the calibration frames to use.  Tap the > symbol for each calibration type and select the saved master calibration stack you created earlier.  Complete this for each type bias, dark, and flat.  These will not be enabled by default.  You must select each one by clicking the box to the left of the file name.  If you want to run a stack without a calibration file, just deselect it here.  The last option is save every frame when stacking.  This will save each frame as its taken so you can stack it with other software later.


Once these have been set its show time.  Go back to the preview screen and go to your desired target and get it framed as desired, focused, and then start guiding.  Go back to live mode and start the exposure.

If you set a fixed number of frames to stack, the asiair will continue until all frames have been stacked and the image will be saved in the live folder.  If you selected no limit, the stack will continue until you stop it.  It will not be saved until you select the download icon at the bottom right.

If you stop a stack, you can resume it again.  This is helpful if you need to dodge clouds, aircraft, or starlink satellites.


Currently there is no way to combine mono images taken with different filters.  You can stack them individually with live but they will need to be registered and combined with other software. If you plan to livestack using filters, don’t forget to make flat frames for each filter.  Then select and enable them before shooting your light frames.

Live stacking is a rewarding experience that gives instant gratification.  The more i use it the more I prefer it for short term projects.  I’m sure you will find it just as enjoyable  



Thursday, March 4, 2021

ASIAir - AutoFlat Frame Exposures

 


V1.5.3

This version of ASIAir introduces a new feature I call AutoFlat. Before i go into how to use this let me explain a little about flats and how we used to calculate the proper flat exposure. 

Flats are used to map out vignette, gradients, dust, and other filter variants.  This data is then applied to your target light frames to balance the gradients and remove dust and other optical imperfections so that the resulting image is flat and evenly exposed without the defects of the optical system.

Typically folks use layers of tshirts against the sky, led flat panels, EL or electroluminescent panels, or light boxes.  Some have even used their ipads.  The idea is to use a known even illumination source so gradients and dust can be recorded.  The trick is obtaining the proper exposure.  Previously it was common knowledge to use what is called 1/2 full well.  Some have suggested to use 1/3 full well but like anything we do there are plenty of folks to challenge every step.  The process of calculating this exposure is to slowly ramp up your exposure until your average ADU value shown on the preview screen just reaches 65534 or the maximum value for your camera.  Basically its the exposure where this value doesnt increase anymore.  For 1/2 full well we would take exactly one half of this exposure time.  The 65534 value represents the point where the pixels on average have been fully saturated and will record no more photons; a full well.  Half of the exposure time will record one half full well.  If you are in the 1/3 full well family then you would take 1/3 of the exposure time.  This would then be your ideal flat exposure time.  It is not 1/2 ADU or the middle of the histogram.

So in reality, this is really only important for the purists.  ASIAir makes this legacy model easier since we can immediately see the ADU value on the preview screen.


With 1.5.3, ZWO introduced Autoflat.  When you set up the autorun tile for flat exposure you will find there is now an Auto option for the exposure.  There are some limits however.  ZWO has introduced a 10 second exposure limit. If your exposure time hits 10s them you need to increase the brightness of your light source.  There can be a lower limit with some cameras.  There have been reports that some cameras show banding with exposures shorter than 2s.  This is something to watch out for.  So for this to work reliably, your exposure should be between 2 and 10 seconds when using auto.  

I requested a higher limit like 30s but was told 10s was enough.  Lets hope they bump this up in the future as its difficult to run flats for an entire wheel of filters if you have lum, rgb, and narrowband filters in the same wheel.  For now you just have to run them separately.

Now, folks have also abandoned bias frames with asi cameras in favor of using flat darks.  This is due to the banding issue mentioned earlier.  Flat darks are the same exposure as the flats but with the scope covered.  Fortunately ZWO added a way to do this. After running the flats, go into autorun and reset the autorun, go into the flat tile and click the exposure edit icon.  The previous auto exposure will populate the


exposure field.  Now you can select bias or dark as your image type.  Your choice.  Cover the scope and run the sequence again.  You now have your flat darks.  If you are using a DSLR please use true bias frames, not flat darks.

One will notice that the histogram does not show the hump at the manually calculated 1/2 full well.  I’ve been told that this is due to the exposure being calculated before white balance has been applied and before debayer for an OSC camera.  Honestly I have never seen an issue between a variance here in the fractional full well used except in cases where there are extreme gradients.  The important thing is that for all filters used that the fractional full well value is the same for all filters, somewhere between 1/3 and 1/2 full well is fine, to help with color balance when all are combined to produce a color image.

Previously getting the correct flat exposure was a painstaking effort that needed to be performed whenever you changed gain and filters.  With the introduction of Autoflat this has been made quite a bit easier to accomplish.  Currently this is limited to exposures between 2 and 10 seconds.  You can vary the light intensity to get you in that range.  One option is to use frosted lexan or plexiglass or for very bright led tracing panels you can use cling on window tint from the auto parts store.  Find some that have 20% transmission and are neutral grey in color.  It comes in rolls 2ft x 12ft for only 12.00US.  Just cut with scissors and tape to your led panel.  Stack layers if you need even more light reduction.

One last tip.  If you are using a LED flat panel or light box and normally orient the scope vertically to keep them in place, be sure to park the scope to the home position.  This will set the scope to a known position you can reset to after the flats are taken, disable tracking, and prevent an automatic meridian flip if that is enabled in autorun.  May be a good idea to just turn that off when shooting flats this way.  You dont want any movement to cause your equipment to slide off and get damaged.

I hope this has been helpful and simplifies your calibration workflow.


Monday, March 1, 2021

How To Set Up Automeridian Flip in ASIAir

 


V1.5.3

With the introduction of ASIAir version 1.4, a new feature is available called Automeridian Flip often referred to as AMF.  During an imaging sequence using autorun, the mount will now automatically flip the telescope to the other side of the mount once the target has crossed the meridian. In addition this function is available even when using SkySafari to goto and frame the target image.

Under mount settings there is a setting to control the Center Exposure TIme (1s-10s). For most setups the exposure time can be set from 1s-3s. However, if you are using narrow band filters you should set this to 10s to ensure enough stars are recorded to allow the system to plate solve the image before and after the flip.

Automeridian Flip is currently only available when imaging a sequence using Autorun. The autorun page now displays how long it will be before the meridian flip will take effect. When the target reaches the meridian, autorun will pause imaging and tracking will stop. The amount of time it waits for this to happen is based on a couple of settings and the programmed autorun exposure currently being executed.

The first setting is “Stop tracking x min before Meridian”.  This is useful to stop everything to prevent your scope or camera from hitting your pier or tripod.  The second option, “Do AMF x min after Meridian”, is similar but controls the time to do the AMF after the target crosses the meridian.  Again, this is to prevent the equipment from hitting the pier or tripod on the other side.

The last option, “Recalibrate Guiding after AMF”, will clear the guide calibration data and start the guide calibration sequence.  This is sometimes needed for mounts with backlash that differs after AMF.  The recalibration ensures backlash is measured and added to the correction pulses to improve guide response.

Once the flip has completed, the goto will be plate solved and adjusted to recenter the target precisely to where it was prior to the flip. The image will however be inverted. At this point guiding will autoselect a guide star, flip the guide calibration data or recalibrate if selected, and begin guiding. The imaging sequence will then resume.

Automeridian flip further enhances the ASIAir to minimize the interaction needed to complete an imaging sequence.


What the Heck is Platesolving?

 


V1.5.3

On the ASIAir, platesolving is the process used to determine where the exact center of the image is pointing.  The process involves taking a preview image and clicking the plate solve button.  This starts a comparison process of “plates” stored on the ASIAir.  It doesn't need the internet to do so.  Once the solve has completed you will be presented with some options to sync or sync and goto.  Sync will just update the ASIAir so that it now knows exactly where the scope is pointed.  The next goto should get your object centered perfectly.  Sync will also update the position in Skysafari if you have that integration set up.  Sync and goto will just update the current location and then readjust the scope position to center the chosen object.

There is a limit to what ASIAir can platesolve.  The original ASIAir has a 0.4 degree limit which means the field of view along the short side of sensor must be greater than 0.4 degrees.  With the ASIAir Pro the limit is 0.2 degrees.   There are tools out on the internet to calculate the sensor field of view and this can also be done in Skysafari once your equipment and observing view are selected. It also cannot platesolve within 6 degrees of the pole.  However, the polar alignment tool can.

Other factors that can affect platesolve are not enough stars to match the plates or too many stars, too much math for the process to complete.  I have found that on average 200-600 stars seems to work well.  Adjust your exposure to increase or decrease the number of stars.

Its also important to get the main camera focal length precise.  Fortunately ASIAir has a great way to do this. Just enter “0” for the main camera focal length and it will calculate the focal length for you based on the camera used when you plate solve next time.

 Also note that you can do this with your guide scope as well if the field of view falls within the plate solve limits. Just temporarily turn off the main and guide cam in the app and then select your guide cam for the main camera.  Then enter “0” and do a plate solve.  Note the calculated focal length.  Swap the cameras back and enter the new focal length into the guide camera settings.  This will ensure your guide graph and rms error numbers are precise. 

There are a number of areas that ASIAir uses platesolving to get things on track.  One is called Goto Autocenter which will solve and reposition the scope to automatically center the object.  On the same screen you can preset the Center Exposure Time to use during this process.  Trial and error will determine which is best for your setup.  Without filters one or two seconds should be enough.  With narrowband filters this could go up to the Max depending on the filter used.  Its also useful if you have automeridian flip enabled.  After a flip the mechanics can cause the scope to be off and the autocentering allows the object to be recentered.

You can now also do a goto on a previously taken image and after a plate solve and recenter, allows you to resume a session on another day with minimal framing loss.

All of these features and enhancements will eventually lead to automated multitarget sequencing and hopeful some form of mosaic planning.  Its not there yet but you can see where all of this helps with that.

So what happens when you use filters?  For most light filters such as LRGB there is not much difference in star intensity.  When you use narrow or broadband filters they are so dense that you have to increase your exposures to record enough stars.  Usually 5 to 10 seconds will be enough depending on your scope and filter used.

Platesolving is key to successful use of many functions in ASIAir and totally negates the need for a finder scope.  The plates used to compare to your image are built into the product and it does not require internet access.  The exact location of where your scope is pointing can be completed in seconds and allows your gotos to center the object perfectly.